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I am an artist and educator who employs multiple mediums to create an immersive experience for the viewer. Rooted in traditional visual artistic practices, my work has migrated to video, installation, and sound. I am persistently interested in the body as it relates to technology, memory, and immersive environments. Currently, I am researching and producing works that relate to the experience of memory as understood through the body.
Body as related to my work is defined as both Earth landscape as well as the physical human form. Sharing common elements such as skin, overall structure, and interior systems with the Earth landscape, the lived body becomes a system that is constantly in motion, as opposed to a static, fixed, or singular entity. This hybrid system of unrest references the process of art creation – relying on a multiple-layered movement between the cognitive and the physical form. Both cognition and the physicality of the work/body create a symbiotic relationship which manifests itself in the experience of the work – much as a sense of being is realized through the experience of the lived.
' What makes us human, and what makes each of us his or her own human, is not simply the genes that we have buried into our base pairs, but how our cells, in dialogue with our environment, feed back to our DNA, changing the way we read ourselves. Life is a dialectic.” –Jonah Lehrer
I am an artist and educator who employs multiple mediums to create an immersive experience for the viewer. Rooted in traditional visual artistic practices, my work has migrated to video, installation, and sound. I am persistently interested in the body as it relates to technology, memory, and immersive environments. Currently, I am researching and producing works that relate to the experience of memory as understood through the body.
Body as related to my work is defined as both Earth landscape as well as the physical human form. Sharing common elements such as skin, overall structure, and interior systems with the Earth landscape, the lived body becomes a system that is constantly in motion, as opposed to a static, fixed, or singular entity. This hybrid system of unrest references the process of art creation – relying on a multiple-layered movement between the cognitive and the physical form. Both cognition and the physicality of the work/body create a symbiotic relationship which manifests itself in the experience of the work – much as a sense of being is realized through the experience of the lived.
' What makes us human, and what makes each of us his or her own human, is not simply the genes that we have buried into our base pairs, but how our cells, in dialogue with our environment, feed back to our DNA, changing the way we read ourselves. Life is a dialectic.” –Jonah Lehrer
Body Consumable
3 Bodies
Multiple projections.
Working from the concept that the body and the surrounding environment all share similar elements, my installations, objects, and video works provide a space in which the viewer can enter a psychophysiological place - the mind of the body and of the landscape.
Candy Confessional
Video.
Working with consumable sculptures, audience members were permitted to explore their own confessions in relationship to the object. As they related their stories, the ephemeral nature of the medium changes, morphed, and dissolved.
Candy Confessional
Live Performance and Video in collaboration with artist Tain Barzso
Working with consumable sculptures, audience members were permitted to explore their own confessions in relationship to the object. As they related their stories, the ephemeral nature of the medium changes, morphed, and dissolved.
3 Bodies
Multi-channel video
Labcoats on Clouds.
Performance Still. Interactive Theater created for the Prague Quadrennial.
My role(s) in this collaborative project was as a visual designer, costume designer, and performer. In collaboration with Purdue University’s Department of Dance, Theater, and the Envision Center of Data Perceptualization, this production team created a contemporary and interactive theater as a metaphoric launching point to explore communication through the story of Babel.
Labcoats on Clouds
Performance Still. Interactive Theater created for the Prague Quadrennial.
Labcoats on Clouds
Performance Still. Interactive Theater created for the Prague Quadrennial.
Growth
Growth, objects created for installation and video works. Burnt Sugar cast into flour mold.
Ingest I
Ephemeral media and intaglio.
Ingest II
Ephemeral media and intaglio.
Cluster
Decay
Drift
Site-specific installation. Layers of paint, plaster, and monofilament. Variable dimensions.
Occupying the space of the historic Jacques Building in a group installation, the work references the embodiment of the space – viewed as layers revealed over time. The walls imbue a confrontational presence of time, place, and being.
Drift
Site-specific installation. Layers of paint, plaster, and monofilament. Variable dimensions.
Occupying the space of the historic Jacques Building in a group installation, the work references the embodiment of the space – viewed as layers revealed over time. The walls imbue a confrontational presence of time, place, and being.
Bound
Wonder bread, thread, and wax.
Well Read Bread I
Wonder bread, thread, and wax.
Well Read Bread II
Wonder bread, thread, and wax.